[Listening to this after about a year, I think I feel the need to record it again properly. The tone is quite nice, but some of the ornamentation is awkward. Watch this space. DH, December 2014.)
Ironically enough, given its title, an instrumental version of a 19th century hymn. I’ve been playing it a lot since I started playing serious slide guitar again.
The hymn has its own Wikipedia page, including the first published lyrics and the verse added by Doris Plenn and sung by Pete Seeger. In fact, I first heard it on Seeger’s I Can See a New Day album, a compilation of live recordings released in 1964. The music is credited to Robert Lowrey, as published in his ‘Bright Jewels for the Sunday School’, published in 1869, but the source of the original lyrics is uncertain. The lyrics (apart from Plenn’s) included in the Wikipedia page are apparently as published in the New York Observer in 1868 under the title Always Rejoicing and attributed to ‘Pauline T.’
When I do it live, I sometimes go straight into Twelve Gates to the City, which I first learned from the same source. However, I can’t say I’ve ever heard anyone else do either song as a slide guitar piece.
The guitar I used was a Gretsch Bobtail roundneck resonator guitar using an open E tuning.
Small Blue-Green World
ESET Senior Research Fellow