Category Archives: Albums

‘Further Off The Record’ album

You might call this my Greatest Hits album, if I’d ever had any hits. It does include the four tracks released so far as singles, though, and most of the tracks are remixed and/or remastered. In fact, these are all songs that have attracted airplay in the UK and/or US, been requested at live events, or had significant numbers of plays where streamed or available in various video and audio formats. And anyway, I like ’em! Available from Apple Music, Spotify, iTunes etc. 

All lyrics by David A. Harley; all music also by me except for ‘Here Tomorrow’, for which the music was written by Don MacLeod. All tracks recorded at Wheal Alice Music except where otherwise noted. All vocals and instruments (guitars, keyboards, bouzouki, banjo, mountain dulcimer) by David A. Harley unless otherwise noted below.

‘Carpentry’ is essentially the tune I wrote for my setting of ‘The Carpenter’s Son’ by A.E. Housman. The lyric to ‘Thomas Anderson’ was based on a 1970s article by the late Ron Nurse for Shrewsbury Folk Club magazine. ‘Long Stand’ and ‘Hands of the Craftsman’ were written for the 1981 revue ‘Nice…if you can get it’. Tracks 1, 2 and 20 were recorded at Hallmark, W1, 5, 10 and 18 at Centre Sound in Camden Town, all in the early 80s.

  1. Heatwave in the City (London 1983) – Piano by James Bolam. No, not that James Bolam.
  2. One Step Away (From the Blues). 2nd acoustic guitar by Don MacLeod, and acoustic 12-string guitar by Bob Theil.
  3. Let Me Lie Easy
  4. Carpentry II
  5. Ten Percent Blues
  6. How to say Goodbye
  7. Same Old Same Old
  8. Thomas Anderson
  9. Paper City
  10. Long Stand
  11. Diane (Going Out)
  12. Wrekin (The Marches Line)
  13. Song of Chivalry
  14. Cornish Ghosts
  15. Coasting
  16. Two is a Silence
  17. Sea Fret
  18. Hands of the Craftsman
  19. Her Own Way Down
  20. Here Tomorrow – Acoustic guitar and piano by Don MacLeod. Percussion by Richard Davy. Additional vocals by Lyn (Anna) Thompson.

New album – Kitsch and Canoodle

Available, as ever, on Bandcamp.

Kitsch and Canoodle

David A. Harley

Songs of love, lust and obsession. Come to think of it, that probably accounts for my entire output.

All vocals and instruments by David A. Harley. Words and music for all songs by David A. Harley except ‘Quirks and Crotchets’, for which Alan Doyle wrote the tune, and ‘Back in the Day’, for which Alison Pittaway wrote the lyrics. Cover photograph by Jude Harley.

  1. Let Me Lie Easy
  2. A Rainy Day Blues
  3. Please
  4. Quirks and Crotchets (Doyle-Harley)
  5. This Guitar Just Plays The Blues 2021
  6. Her Own Way Down
  7. Back In The Day (Pittaway-Harley)
  8. This End of the 1960s
  9. Can’t Sleep
  10. Never Look Back
  11. New Ends and Sad Beginnings
  12. Two Is A Silence
  13. The Jailer
  14. What Do I Do?
  15. Song Without Warning

Wheal Alice Music WAM21-11

New album – Cold Iron

Yes, I know it’s not a good sales strategy to put out so many albums so close together, but I’m trying to get this stuff out there, and not really expecting to make my fortune at this time of my life.

All music by David A. Harley. The author of the 18th century lyric to ‘They Hang The Man’ is unknown, and the words to ‘Nowhere to Nowhere’ were written by Alison Pittaway. Piano on ‘London 1983’ by James Bolam. All vocals and other instruments by David A. Harley.

All rights reserved.

Here’s the album: Cold Iron

And here’s the track ‘For Phil Ochs’ which is in a way the foundation stone of the album:

Anyway, here are what would be the sleeve notes if I was releasing it as a physical album.

I suppose you could say that all songs are ‘social comment’ – I don’t care for the term ‘protest’ since I associate it with the 1960s phenomenon of well-fed pop singers whining about plastic people and how awful everything is – but I’ve always leaned towards songs that weren’t exclusively about ‘my girl friend left me’.. Still, I never felt I had to distinguish between ‘love songs’ – perhaps we should say songs about people and their relationships – and songs with a wider topical resonance. If a song demands to be written, I don’t take no notice because it’s in the ‘wrong’ genre or context.

Still, I had some difficulty in placing a couple of the songs in this collection because they’re ‘folkier’ – OK, acapella – than most of my output. So I finally went for an album of songs that fit together because they’re more about social comment and less about personal relationships (fictional and otherwise). That doesn’t, of course, mean they don’t fit into other contexts. Some have already been released on other albums, and others are likely to be in the future.

The album’s title comes from a poem by Kipling, though his conclusion in that poem, and indeed his politics in general, often diverge from my own convictions. On the other hand, I think he would have agreed with the relationship between iron as a foundation of weaponry and iron as a symbol or element of the supernatural.

Gold is for the mistress — silver for the maid —
Copper for the craftsman cunning at his trade.
“Good!” said the Baron, sitting in his hall,
“But Iron — Cold Iron — is master of them all.”

And here’s the tracklist.

  1. London 1983 (Harley) 06:28
  2. They Hang The Man (Anonymous-Harley) 01:43
  3. Song of Chivalry II (Harley) 03:58
  4. Nowhere To Nowhere (Pittaway-Harley) 02:11
  5. Soldier (You Come, You Go) (Harley) 01:06
  6. Long Stand (Harley) 03:00
  7. Orpheus and his Loot (Harley) 01:51
  8. For Phil Ochs (Harley) 05:35
  9. Calvary (Soldier of Fortune) (Harley) 01:30
  10. Paper City (Harley) 05:25
  11. Hands of the Craftsman (Harley) 05:35
  12. Jerry Jingalo (Harley) 01:06
  13. Circle (Harley) 08:14
  14. Diane (Going Out) (Harley) 05:19
  15. Paper Tiger (Harley) 02:37

 

David Harley