Category Archives: Albums

Links to Available Albums

This site hasn’t really kept up with the ridiculous number of my album and single releases in the last year or two. No, I don’t expect them to keep me in my old age. If someone occasionally buys an album or even a track, that’s nice, but it’s really more about getting as many of the songs as possible out there in some reasonably structured, (hopefully) semi-permanent form. Just in case someone, sometime likes them enough to dig out the obscurities.

So here is a list of the Harley albums and singles currently available including content summaries These releases replace cassette and CD albums previously available  (which is how they come to be released in such a short timeframe), and are at present digital-only releases. Right now, some of them are still only available from Bandcamp, but I’m working on that.  Some may be the basis in due course for multi-media projects: for instance, I’m currently working on a music and verse project that will draw on some of the instrumental tracks from Back In Free Fall and Still In Free Fall, and an expanded multi-media version of Tears of Morning. The list below is just a barebones list of releases. (The links here are to the Bandcamp albums – the Available Albums link includes further links to other sources such as Apple Music.

  • Strictly Off The Record‘ and ‘Further Off The Record‘ are slightly different ‘greatest hits’ collections. Admittedly I don’t actually have any hits, but these are the tracks/songs that have been listened to most, or have had radio play, or get asked for during live performances, or that other performers have expressed an interest in learning. They’re a good place to start (and finish, in most cases…) as they include 20 or so songs that are a pretty good cross-section of my better recordings.
  • Moonflow VI was the first single. It’s an extended version of an instrumental included on Tears of Morning.
  • Tears of Morning is a collection of songs with a Shropshire connection, including settings of verse by A.E. Housman and ‘W.H.B.’
  • The single One Step Away (From The Blues) is one of a handful of tracks recorded for an album by Bob Theil, Don MacLeod, Pat Orchard, Bob Cairns and myself in the 80s. Unfortunately, the album was never released.
  • The EP ‘View From The Top‘ features Don MacLeod, and consists of songs we perform (occasionally!) as a duo, written by us individually or together.
  • The EP ‘Hands of the Craftsman‘ consists of songs and verse from the 1980 review ‘Nice…If You Can Get It’, directed by Margaret Ford, for which I wrote most of the original music.
  • The Game Of London‘ consists of stories in song of the city in which I spent some 25 years of my life.
  • Ten Percent Blues‘ has tracks that mostly have a touch of blues, including a look back or two at my very short career on the road.
  • The single: ‘How To Say Goodbye‘ is the song with which I considered embarrassing my daughter at her wedding. 🙂
  • Dinosaur Tracks‘ are mostly of demo quality, quite a lot leaning towards blues.
  • Cold Iron‘ puts together most of my songs of social commentary.
  • Kitsch And Canoodle‘ – songs of love, lust and obsession. Probably describes most of my current repertoire.
  • Upcountry‘ – songs with a loosely rural theme, some in a country/blues/folk idiom, plus some settings of verse by Kipling, Housman and Yeats.
  • Single: ‘Song Of Chivalry‘ – originally posted to try out a different distributor, but same version subsequently added to Bandcamp. NB this is not the same version as the one on Tears of Morning.
  • Back In Free Fall – Part 1 of a collection of instrumentals that will be the musical backbone of a music-and-poetry project.
  • Single: Back In Free Fall – a guitar piece played on my electro-classic, with a vaguely Renaissance feel.
  • Still In Free Fall – Part 2 of the instrumental collection.
  • Born To Be Mild: 1st Demo Album – first of a set of albums where the tracks are not really commercial-quality recordings, but I’m putting them out because I think the songs are better than the performances. If and when my health improves, I’ll certainly revisit some of them. The first batch is mostly my settings to verse by Housman, Kipling and Hood.
  •  The Duke Of Haphazard: 2nd Demo Album – second in the set…
  •  The Old Man Laughs – not part of the demo collection.
  • Album: Demo Album 3 – still under construction.
  • Album: Nobody’s Song – still under construction.

David A. Harley

‘Further Off The Record’ album

You might call this my Greatest Hits album, if I’d ever had any hits. It does include the four tracks released so far as singles, though, and most of the tracks are remixed and/or remastered. In fact, these are all songs that have attracted airplay in the UK and/or US, been requested at live events, or had significant numbers of plays where streamed or available in various video and audio formats. And anyway, I like ’em! Available from Apple Music, Spotify, iTunes etc. 

All lyrics by David A. Harley; all music also by me except for ‘Here Tomorrow’, for which the music was written by Don MacLeod. All tracks recorded at Wheal Alice Music except where otherwise noted. All vocals and instruments (guitars, keyboards, bouzouki, banjo, mountain dulcimer) by David A. Harley unless otherwise noted below.

‘Carpentry’ is essentially the tune I wrote for my setting of ‘The Carpenter’s Son’ by A.E. Housman. The lyric to ‘Thomas Anderson’ was based on a 1970s article by the late Ron Nurse for Shrewsbury Folk Club magazine. ‘Long Stand’ and ‘Hands of the Craftsman’ were written for the 1981 revue ‘Nice…if you can get it’. Tracks 1, 2 and 20 were recorded at Hallmark, W1, 5, 10 and 18 at Centre Sound in Camden Town, all in the early 80s.

  1. Heatwave in the City (London 1983) – Piano by James Bolam. No, not that James Bolam.
  2. One Step Away (From the Blues). 2nd acoustic guitar by Don MacLeod, and acoustic 12-string guitar by Bob Theil.
  3. Let Me Lie Easy
  4. Carpentry II
  5. Ten Percent Blues
  6. How to say Goodbye
  7. Same Old Same Old
  8. Thomas Anderson
  9. Paper City
  10. Long Stand
  11. Diane (Going Out)
  12. Wrekin (The Marches Line)
  13. Song of Chivalry
  14. Cornish Ghosts
  15. Coasting
  16. Two is a Silence
  17. Sea Fret
  18. Hands of the Craftsman
  19. Her Own Way Down
  20. Here Tomorrow – Acoustic guitar and piano by Don MacLeod. Percussion by Richard Davy. Additional vocals by Lyn (Anna) Thompson.

New album – Kitsch and Canoodle

Available, as ever, on Bandcamp.

Kitsch and Canoodle

David A. Harley

Songs of love, lust and obsession. Come to think of it, that probably accounts for my entire output.

All vocals and instruments by David A. Harley. Words and music for all songs by David A. Harley except ‘Quirks and Crotchets’, for which Alan Doyle wrote the tune, and ‘Back in the Day’, for which Alison Pittaway wrote the lyrics. Cover photograph by Jude Harley.

  1. Let Me Lie Easy
  2. A Rainy Day Blues
  3. Please
  4. Quirks and Crotchets (Doyle-Harley)
  5. This Guitar Just Plays The Blues 2021
  6. Her Own Way Down
  7. Back In The Day (Pittaway-Harley)
  8. This End of the 1960s
  9. Can’t Sleep
  10. Never Look Back
  11. New Ends and Sad Beginnings
  12. Two Is A Silence
  13. The Jailer
  14. What Do I Do?
  15. Song Without Warning

Wheal Alice Music WAM21-11

New album – Cold Iron

Yes, I know it’s not a good sales strategy to put out so many albums so close together, but I’m trying to get this stuff out there, and not really expecting to make my fortune at this time of my life.

All music by David A. Harley. The author of the 18th century lyric to ‘They Hang The Man’ is unknown, and the words to ‘Nowhere to Nowhere’ were written by Alison Pittaway. Piano on ‘London 1983’ by James Bolam. All vocals and other instruments by David A. Harley.

All rights reserved.

Here’s the album: Cold Iron

And here’s the track ‘For Phil Ochs’ which is in a way the foundation stone of the album:

Anyway, here are what would be the sleeve notes if I was releasing it as a physical album.

I suppose you could say that all songs are ‘social comment’ – I don’t care for the term ‘protest’ since I associate it with the 1960s phenomenon of well-fed pop singers whining about plastic people and how awful everything is – but I’ve always leaned towards songs that weren’t exclusively about ‘my girl friend left me’.. Still, I never felt I had to distinguish between ‘love songs’ – perhaps we should say songs about people and their relationships – and songs with a wider topical resonance. If a song demands to be written, I don’t take no notice because it’s in the ‘wrong’ genre or context.

Still, I had some difficulty in placing a couple of the songs in this collection because they’re ‘folkier’ – OK, acapella – than most of my output. So I finally went for an album of songs that fit together because they’re more about social comment and less about personal relationships (fictional and otherwise). That doesn’t, of course, mean they don’t fit into other contexts. Some have already been released on other albums, and others are likely to be in the future.

The album’s title comes from a poem by Kipling, though his conclusion in that poem, and indeed his politics in general, often diverge from my own convictions. On the other hand, I think he would have agreed with the relationship between iron as a foundation of weaponry and iron as a symbol or element of the supernatural.

Gold is for the mistress — silver for the maid —
Copper for the craftsman cunning at his trade.
“Good!” said the Baron, sitting in his hall,
“But Iron — Cold Iron — is master of them all.”

And here’s the tracklist.

  1. London 1983 (Harley) 06:28
  2. They Hang The Man (Anonymous-Harley) 01:43
  3. Song of Chivalry II (Harley) 03:58
  4. Nowhere To Nowhere (Pittaway-Harley) 02:11
  5. Soldier (You Come, You Go) (Harley) 01:06
  6. Long Stand (Harley) 03:00
  7. Orpheus and his Loot (Harley) 01:51
  8. For Phil Ochs (Harley) 05:35
  9. Calvary (Soldier of Fortune) (Harley) 01:30
  10. Paper City (Harley) 05:25
  11. Hands of the Craftsman (Harley) 05:35
  12. Jerry Jingalo (Harley) 01:06
  13. Circle (Harley) 08:14
  14. Diane (Going Out) (Harley) 05:19
  15. Paper Tiger (Harley) 02:37

 

David Harley