Category Archives: Albums

New album on Bandcamp

Nobody’s Song

Original artwork by Kate Morley

Guitars, bouzouki (don’t blink or you’ll miss it), vocals by David A. Harley

All words and music by David A. Harley except ‘Thou Art My Lute’ – words by Paul Laurence Dunbar, music by David A. Harley

All rights reserved.

A mixed bag, but slowly catching up with some of the songs I should have recorded properly years ago. Plus some lyrics that have only recently found a tune (notably the Falklands song, 40 years too late for most people to care), and yet another setting of a poem, this time by Paul Laurence Dunbar.

  1. Nobody’s Song (Harley)

An indirect response to a couple of hostile responses to a not-very-cheerful story song I sang somewhere or other a few years ago. I try not to do sets that are unrelieved misery, but I’m not inclined to apologise because not all my songs are happy-clappy. OK, hardly any of my songs are happy-clappy… 😊

I don’t own the songs I’m singing / They found me by the road /
And let me come along for the ride
Sometimes they’re only wordplay / Sometimes they’re almost true /
Telling everybody’s history but mine

There’s a soldier just returned / Forever damaged from the war /
There’s a sailor forever lost in time.
Songs to lift your spirits / Songs to break your heart /
Telling everybody’s story but mine

Maybe I was killing time / While time was killing me /
Ignoring all the people in my head
Peering out of broken mirrors / To tell their broken tales /
All the people in my dreams and in my head

A city sleeps in sunlight / A seascape in the storm /
A town that I might go back to some time
Words I heard from lovers / For a lifetime or a night /
Singing anybody’s melody but mine

Friends and lovers past and gone / Places I should be /
Dreams that died and others that came true
Time we spent together / Too much time spent apart /
Someone gone forever, much too soon

I was only killing time / While time was killing me /
Ignoring all the people in my head
Peering out of broken mirrors / To tell their broken tales /
All the people in my dreams and in my bed

I don’t own the song I’m singing / It found me by the road /
And let me come along for the ride
Maybe it’s just wordplay / Perhaps it’s almost true /
Telling nobody’s story but mine

2. A Perfect Cocktail (Harley)

The first draft of the words to this waas several decades old, but I rewrote it and added a tune in response to Zoe Zalick’s challenge to write and perform a song in a week. I know, shades of Jack Judge and ‘The Writing Of Tipperary’. 🙂 And no, I don’t generally think it’s reasonable to blame the object of one’sunrequited obession for one’s misery…

Who’s driving nails into my lonely bed?
Who sent images scurrying through my head?

And we mixed a perfect cocktail, you and I
How come now my cup is dry?

How come these days I drink so much alone?
Who’s to blame if I end up stoned?

Who leaves me here, lying all alone?
Asks six weeks later why I didn’t phone

  1. Light Blue Affair (Harley)

Another lyric from around 40 years ago that finally found its tune. If I stop writing now and live to be 110, I should just about clear the backlog.

It’s a bitter-sweet light blue affair
Caught halfway between hope and despair
A tear for joy or a twisted smile
An elegant pose in the classic style
That echoes reality

It’s a strange ambiguity
Caught between life and parody
A stolen kiss, a moment of magic
Frozen between the comic and tragic
A haunting half-memory

What can we tell from these soft-focus nights
Of what might be real and exactly what’s right?
What can we learn from what we might see
On an under-developed transparency?
Only the questions are clear
Like “Where do we go from here?”

It’s a bittersweet light blue affair
A flash of future, of time we could share
A tear for joy or a twisted smile
An elegant pose in the classic style
Transcending reality
That can be what you want it to be

  1. The Day I Saved The World (Harley)

 Featuring the Hot Club de Carbis Bay…

Once I believed that love / And good intentions
Would win the day / And we would overcome
Now I’ve learned it does no good / To lean on love and knock on wood
Now you’re gone / And I’m the lonely one

I found all the wrong things to do
But just for one moment, loving you
I could have saved the world

Since I lost track of you / I’ve lost sight of a star or two
But love’s a game / That tends to leave you scarred
And though you say the story’s done / There’s still time to find the sun
If you would only tell me / Where you are

  1. Ghosts (Harley)

One of my rare lapses into something vaguely resembling jazz…

Let’s get down to cases before someone packs their bags
And there’s nothing else to do but walk away.
Please don’t say there’s nothing to talk over: that’s not true
Unless you’d rather just call it a day…

There’s a cuckoo in our love nest
I can see him in your eyes
When you’re looking straight at me
It’s not always me you see
Who is that ghost you recognized?

Sometimes when we’re making love
You seem confused about my name
It seems I’m sharing you
With someone else you knew
Who’s gone, but not forgotten just the same

If you need time to think it over
You’re right, there’s nothing to explain
But please don’t go burning your fingers
On any old flames

I’m not afraid of losing you
I never had you anyway
There always seemed to be
A part of you that you kept from me
Words you never cared to say 

  1. When The Next Wave Breaks (Harley)

A blues of sorts.

I’m nothing but a ripple / A stone thrown in the sea
When the next wave breaks / You can’t tell where I’ve been

There’s a change in the weather /There’s a restless angry sea
There’s no changing you / But there’s surely been a change in me

I’ll take that lonesome highway / By the light of a lonesome moon
You know the sooner you start crying / The sooner I’ll be gone

When the sun is going down / And the moon begins to rise
I’ll be so far down the road / There’s no shadow left behind

There might be just one woman / Could make me want to stay
If you were her, my bag / Would not be packed today 

  1. The Best Days Are Gone (Harley)

Since I turned 24 around 50 years ago, I’m happy to report that that there have been plenty of good days since then…

Sometimes I miss those other places where my lifestyle has been forged
I might even miss this town when I’ve moved on
Though I’m just turned 24, right now I’m feeling so much more
When I get this weary feeling that the best days are gone
The best days are gone

Other times I felt so low and wanted what was lost
Are hidden in a mist of golden days
But mostly I was happy, though I didn’t know it then
Such strange tricks that hindsight plays
Tricks that hindsight plays

Nothing’s as it seems to be, there’s no one I can trust
I want to wake and find myself a million years away
And more than once or twice when just living wore me down
I’ve wished I had the nerve to split and drift with the highway
And drift with the highway

There are names that I remember, many more that I forget
All the girls I never had, too many that I lost
One or two could make me cry at midnight all alone
But when you go I think I’ll miss you most
And now you’re gone, Lord knows I miss you most 

  1. Sale Or Return (remix) [Harley]

This song about rock ‘n’ roll casualties changed my life in a number of ways, not all of them good. But it did (along with ‘Thomas Anderson’) start people (including me) thinking of me as a writer rather than a performer. Not that I saw much fame and fortune either way. A remixed version of a track from one of my demo albums.

Mister can I carry your bags?
We took the same road and we both paid the fare
Buddy can I carry your axe?
We started out right and I know you still care
And hey, can I carry your load?
At least you still look like you’re bound somewhere

I’ve talked to the hero who knew he was hip
Who got too heavy to loosen his grip
Who sold out his name to some strange ego trip
And I know the glass eye looking into itself
The fly blown in amber trapping dust on the shelf
Conversations that tailed into stony silence

I’ve seen how it is twisted out of the frame
By the mythical muse that warps and maims
A half-human soul into implacable aims
And I’ve known a hero we all knew of old
Who sold out his share of the silver and gold
And still he can’t tune out the gall in his soul

So it’s down to the Tranny and the travelling band
But somewhere we drew blank, something better we planned
Is gone with the smithy and the shantyman
So I sat and I drank and I listened to you
Then I drank some more while the beat soaked through
But I guess I just drank off my blue suede shoes

And I know how it is kicking themes into shape
In sleep-bleeding hours between two working days
And I’m not here to say you should make that mistake
No, there’s no point in crossing the bridges we burned
But a few bands ago we talked in no terms
Of sale or return

  1. Ice To The Flame (Harley)

Not at all the sort of song I usually write, but it comes from a particularly stressful period in the 1970s. And that’s all I’m going to say about that…There is another version on one of my demo albums: this is better recorded, but I might go for a fuller arrangement at some point.

Turn to the morning and trust to the dawn
With the sun in your face take the chance to be born
Leave all the leavings that time has outgrown
Turn to the morning and trust to the dawn

Ice to the flame, the sun to the rain
I am Life, I am Death, and Love is my name

Wind on the water, a blight on the heart
The fall of the dice and the turn of the card
Axe to the tree, the scythe to the corn
Turn to the morning and trust to the dawn

Ice to the flame, the sky to the sea
All is One and All is in me

Tongue to the bell, an end to the start
Trust to time, lend an ear to your heart
Wax to the candle and brass to the horn
Turn to the morning and trust to the dawn

Ice to the flame, the sun to the rain
I am Life, I am Death, and Love is my name

Rust to the sword, an edge to the blade
The Healer, the Scourge, the Price to be Paid
Love is the Singer and Love is the Song
Turn to the morning and trust to the dawn

Ice to the flame, the sky to the sea
All is One and All is in Me

Blood on the dagger, a fire in the veins
The sweet and the bitter, rainbow and rain
The Knight and the Jester, the Queen and the Pawn
Turn to the morning and trust to the dawn

Ice to the flame, the sun to the rain
I am Life, I am Death and Love is my name

10. Bread And Circuses (Harley)

A song written in the 1980s (the lyrics, anyway) about the conflict Jorge Luis Borges described as “a fight between two bald men over a comb.” As you might have gathered, I don’t do *“my country right or wrong.” These verses were originally interleaved with verses telling a story about the breakdown of a marriage. When I revisited the song recently, that didn’t seem such a good idea, but the other verses may well appear as a separate song, provisionally called ‘Rifts’.

The lads are on the march again: adrenaline is surging
Through the arteries of power
The gutter press is snarling, waving flags and beating chests,
From the safety of its concrete Dockland towers
The price of bread is escalating and the jobs are getting scarce,
But the circuses get bigger every year
If we lose the World Cup, God will give us back the Falklands
Before the latest Royal new-born appears

In the Corridors of Power, the game is Battleships:
Sink a few and lose a few – that’s Diplomacy
The body count gets higher, the planes and ships get fewer
The bereaved on both sides might agree
That the game’s not worth the candle standing by a single coffin
But there’s so much more at stake than death or life
There’s property and cash and oil and mineral rights
And loss of face, and patriotic pride.

The bombs and missiles blossom, and the gunfire pounds and pounds
The ears of friend and foe
The Belgrano and the Santa Fe, the Sheffield and Sir Tristram
Death by death the roll of honour grows
Till the fighting fizzles out in bitter winter gales
Far too late for so many mothers’ sons
The guns have fallen silent, but the words are bayonet-sharp
And the propaganda war goes on

The hawks are praising God across the tombstones of the dead
A service is attended by the Queen
The Prime Minister spits blood because a timid man of God
Recalls the dead on both sides in ‘victory’
Peace in the South Atlantic; a bombing in Hyde Park
Bloody warfare in the Lebanon
We press on to self-destruction: even as this one war ends
The killing still goes on and on and on


  1. From An Old Tin Cup (Harley)

A curiously old-fashioned song. The words have been hanging around for at least 30 years, and I can’t remember what prompted them, but I was quite pleased to find them again.

I’ve got this feeling that can’t be bad
I’ve seen the end of feeling sad
Thanking fate for a little luck
Drinking life from an old tin cup

I had this dream that by and by
My time would come for living high
Eyes wide open for the best way up
To drinking life from a golden cup

But that’s all changed since you found your way
Back into my heart where you used to stay
Thanking fate for a little luck
Still drinking life from an old tin cup

There was sweet wine I used to sip
Now I need the taste of your honey lips
Thanking fate for a little luck
Drinking life from an old tin cup

One fine morning, pretty soon
We’ll set sail on a poor man’s honeymoon
Thanking fate for a little luck
And drinking life from an old tin cup

  1. Thou Art My Lute (Dunbar-Harley)

Paul Laurence Dunbar (1872 –1906), the son of parents who were slaves in Kentucky before the Civil War, was better known in his lifetime for writing dialect poetry and prose, but in recent years his more literary writing has attracted more attention and respect. Maya Angelou borrowed a line from  his poem ‘Sympathy’ for the title of her autobiography ‘I know why the caged bird sings’.

 It is not a carol of joy or glee,
But a prayer that he sends from his heart’s deep core,
But a plea, that upward to Heaven he flings –
I know why the caged bird sings!

 For my setting of ‘Thou Art My Lute’ I’ve used a consciously archaic arrangement to suit the tone of the poem.

Thou art my lute, by thee I sing,—
My being is attuned to thee.
Thou settest all my words a-wing,
And meltest me to melody.

Thou art my life, by thee I live,
From thee proceed the joys I know;
Sweetheart, thy hand has power to give
The meed of love—the cup of woe.

Thou art my love, by thee I lead
My soul the paths of light along,
From vale to vale, from mead to mead,
And home it in the hills of song.

My song, my soul, my life, my all,
Why need I pray or make my plea,
Since my petition cannot fall;
For I’m already one with thee! 

  1. Time On My Hands (Harley)

This one dates back to the 70s, but I don’t think I’ve ever sung it in public. Now I’ve remembered it, maybe I will.

Time on my hands
Time to think of a friend who changed one weekend
Changed to a part of me

Time to look back
Cosily stoned by the fire / getting much higher
Watching you watching me

Time and again
To think of caring for you / knowing I do
Hoping you might for me

Time on my hands
No hangups and nothing to say but “We had our day”
And the music goes on and on

  1. Whistle While You Walk (radio version) [Harley]

Another sort of blues of sorts…

Sometimes you look into her eyes / And you just want to talk
Sometimes you have to see her / Sometimes you just have to walk

Just walk away, walk away / And whistle while you walk away

Sometimes you’re the heartbreak / Sometimes you’re just broke
And all your songs are lost / In the space between the notes

Sometimes you know you love her / Sometimes you feel so cold
Sometimes your heart is empty / And you turn back to the road 

  1. End Game (Harley)

Having gone through phases of writing very long songs, I’ve also sometimes been ostentatiously terse. No doubt many people will thank me for wasting as little as possible of their time. (I’ve always liked short-short stories, too, but I haven’t been so successful at writing them.)

I’ve been looking out for zero since I don’t remember when
Praying not to draw that same old blank again

But it seems at last time passing tears your paper shield apart
And love, the silver bullet, leaves its shrapnel in the heart

M’dame, M’sieur, les jeux sont faits

(c) David A. Harley – All Rights Reserved

Links to Available Albums

This site hasn’t really kept up with the ridiculous number of my album and single releases in the last year or two. No, I don’t expect them to keep me in my old age. If someone occasionally buys an album or even a track, that’s nice, but it’s really more about getting as many of the songs as possible out there in some reasonably structured, (hopefully) semi-permanent form. Just in case someone, sometime likes them enough to dig out the obscurities.

So here is a list of the Harley albums and singles currently available including content summaries These releases replace cassette and CD albums previously available  (which is how they come to be released in such a short timeframe), and are at present digital-only releases. Right now, some of them are still only available from Bandcamp, but I’m working on that.  Some may be the basis in due course for multi-media projects: for instance, I’m currently working on a music and verse project that will draw on some of the instrumental tracks from Back In Free Fall and Still In Free Fall, and an expanded multi-media version of Tears of Morning. The list below is just a barebones list of releases. (The links here are to the Bandcamp albums – the Available Albums link includes further links to other sources such as Apple Music.

  • Strictly Off The Record‘ and ‘Further Off The Record‘ are slightly different ‘greatest hits’ collections. Admittedly I don’t actually have any hits, but these are the tracks/songs that have been listened to most, or have had radio play, or get asked for during live performances, or that other performers have expressed an interest in learning. They’re a good place to start (and finish, in most cases…) as they include 20 or so songs that are a pretty good cross-section of my better recordings.
  • Moonflow VI was the first single. It’s an extended version of an instrumental included on Tears of Morning.
  • Tears of Morning is a collection of songs with a Shropshire connection, including settings of verse by A.E. Housman and ‘W.H.B.’
  • The single One Step Away (From The Blues) is one of a handful of tracks recorded for an album by Bob Theil, Don MacLeod, Pat Orchard, Bob Cairns and myself in the 80s. Unfortunately, the album was never released.
  • The EP ‘View From The Top‘ features Don MacLeod, and consists of songs we perform (occasionally!) as a duo, written by us individually or together.
  • The EP ‘Hands of the Craftsman‘ consists of songs and verse from the 1980 review ‘Nice…If You Can Get It’, directed by Margaret Ford, for which I wrote most of the original music.
  • The Game Of London‘ consists of stories in song of the city in which I spent some 25 years of my life.
  • Ten Percent Blues‘ has tracks that mostly have a touch of blues, including a look back or two at my very short career on the road.
  • The single: ‘How To Say Goodbye‘ is the song with which I considered embarrassing my daughter at her wedding. 🙂
  • Dinosaur Tracks‘ are mostly of demo quality, quite a lot leaning towards blues.
  • Cold Iron‘ puts together most of my songs of social commentary.
  • Kitsch And Canoodle‘ – songs of love, lust and obsession. Probably describes most of my current repertoire.
  • Upcountry‘ – songs with a loosely rural theme, some in a country/blues/folk idiom, plus some settings of verse by Kipling, Housman and Yeats.
  • Single: ‘Song Of Chivalry‘ – originally posted to try out a different distributor, but same version subsequently added to Bandcamp. NB this is not the same version as the one on Tears of Morning.
  • Back In Free Fall – Part 1 of a collection of instrumentals that will be the musical backbone of a music-and-poetry project.
  • Single: Back In Free Fall – a guitar piece played on my electro-classic, with a vaguely Renaissance feel.
  • Still In Free Fall – Part 2 of the instrumental collection.
  • Born To Be Mild: 1st Demo Album – first of a set of albums where the tracks are not really commercial-quality recordings, but I’m putting them out because I think the songs are better than the performances. If and when my health improves, I’ll certainly revisit some of them. The first batch is mostly my settings to verse by Housman, Kipling and Hood.
  •  The Duke Of Haphazard: 2nd Demo Album – second in the set…
  •  The Old Man Laughs – not part of the demo collection.
  • Album: Demo Album 3 – still under construction.
  • Album: Nobody’s Song – still under construction.

David A. Harley

‘Further Off The Record’ album

You might call this my Greatest Hits album, if I’d ever had any hits. It does include the four tracks released so far as singles, though, and most of the tracks are remixed and/or remastered. In fact, these are all songs that have attracted airplay in the UK and/or US, been requested at live events, or had significant numbers of plays where streamed or available in various video and audio formats. And anyway, I like ’em! Available from Apple Music, Spotify, iTunes etc. 

All lyrics by David A. Harley; all music also by me except for ‘Here Tomorrow’, for which the music was written by Don MacLeod. All tracks recorded at Wheal Alice Music except where otherwise noted. All vocals and instruments (guitars, keyboards, bouzouki, banjo, mountain dulcimer) by David A. Harley unless otherwise noted below.

‘Carpentry’ is essentially the tune I wrote for my setting of ‘The Carpenter’s Son’ by A.E. Housman. The lyric to ‘Thomas Anderson’ was based on a 1970s article by the late Ron Nurse for Shrewsbury Folk Club magazine. ‘Long Stand’ and ‘Hands of the Craftsman’ were written for the 1981 revue ‘Nice…if you can get it’. Tracks 1, 2 and 20 were recorded at Hallmark, W1, 5, 10 and 18 at Centre Sound in Camden Town, all in the early 80s.

  1. Heatwave in the City (London 1983) – Piano by James Bolam. No, not that James Bolam.
  2. One Step Away (From the Blues). 2nd acoustic guitar by Don MacLeod, and acoustic 12-string guitar by Bob Theil.
  3. Let Me Lie Easy
  4. Carpentry II
  5. Ten Percent Blues
  6. How to say Goodbye
  7. Same Old Same Old
  8. Thomas Anderson
  9. Paper City
  10. Long Stand
  11. Diane (Going Out)
  12. Wrekin (The Marches Line)
  13. Song of Chivalry
  14. Cornish Ghosts
  15. Coasting
  16. Two is a Silence
  17. Sea Fret
  18. Hands of the Craftsman
  19. Her Own Way Down
  20. Here Tomorrow – Acoustic guitar and piano by Don MacLeod. Percussion by Richard Davy. Additional vocals by Lyn (Anna) Thompson.

New album – Kitsch and Canoodle

Available, as ever, on Bandcamp.

Kitsch and Canoodle

David A. Harley

Songs of love, lust and obsession. Come to think of it, that probably accounts for my entire output.

All vocals and instruments by David A. Harley. Words and music for all songs by David A. Harley except ‘Quirks and Crotchets’, for which Alan Doyle wrote the tune, and ‘Back in the Day’, for which Alison Pittaway wrote the lyrics. Cover photograph by Jude Harley.

  1. Let Me Lie Easy
  2. A Rainy Day Blues
  3. Please
  4. Quirks and Crotchets (Doyle-Harley)
  5. This Guitar Just Plays The Blues 2021
  6. Her Own Way Down
  7. Back In The Day (Pittaway-Harley)
  8. This End of the 1960s
  9. Can’t Sleep
  10. Never Look Back
  11. New Ends and Sad Beginnings
  12. Two Is A Silence
  13. The Jailer
  14. What Do I Do?
  15. Song Without Warning

Wheal Alice Music WAM21-11